Fakir Lalon Sha
Lalon, also known as Lalon Sain, Lalon Shah, Lalon Fakir or Mahatma Lalon (c. 1772 – 17 October 1890; Bengali: 1 Kartik, 1179), was a Bengali Baul saint, mystic, songwriter, social reformer and thinker. Considered an archetypal icon of Bengali culture, Lalon inspired and influenced many poets, social and religious thinkers including Rabindranath Tagore, Kazi Nazrul Islam,and Allen Ginsberg albeit he "rejected all distinctions of caste and creed". Widely celebrated as an epitome of religious tolerance, he was also accused of heresy during his lifetime and after his death. In his songs, Lalon envisioned a society where all religions and beliefs would stay in harmony. He founded the institute known as Lalon Akhrah in Cheuriya, about 2 kilometres (1.2 mi) from Kushtia railway station. His disciples dwell mostly in Bangladesh and West Bengal. Every year on the occasion of his death anniversary, thousands of his disciples and devotees assemble at Lalon Akhrah, and pay homage to the departed guru through celebration and discussion of his songs and philosophy for three days. In 2004, Lalon was placed at number 12 in the BBC's poll of the Greatest Bengali of All Time.
There are few reliable sources for the details of Lalon's early life as he was reticent in revealing his past. It is not known whether he was born in a Hindu or a Muslim family. Lalon had no formal education.
One account relates that Lalon, during a pilgrimage to the temple of Jagannath with others of his native village, he contracted smallpox and was abandoned by his companions on the banks of the Kaliganga River, from where Malam Shah and his wife Matijan, members of the weaver community in a Muslim-populated village, Cheuriya, took him to their home to convalesce. They gave Lalon land to live where he founded a musical group and remained to compose and perform his songs, inspired by Shiraj Sain, a musician of that village. Lalon lost the sight of his one eye in smallpox. Researchers note that Lalon was a close friend of Kangal Harinath, one of the contemporary social reformers and was a disciple of Lalon.
Lalon lived within the zamindari of the Tagores in Kushtia and had visited the Tagore family. It is said that zamindar Jyotirindranath Tagore sketched the only portrait of Lalon in 1889 in his houseboat on the river Padma. Lalon died at Chheuriya on 17 October 1890 at the age of 116. The news of his death was first published in the newspaper Gram Barta Prokashika, run by Kangal Harinath. Lalon was buried at the middle of his dwelling place known as his Akhra.
Philosophy
How does the Unknown bird go,
into the cage and out again,
Could I but seize it,
I would put the fetters of my heart,
Lalon was against religious conflict and many of his songs mock identity politics that divide communities and generate violence. He even rejected nationalism at the apex of the anti-colonial nationalist movements in the Indian subcontinent.He did not believe in classes or castes, the fragmented, hierarchical society, and took a stand against racism. Lalon does not fit the "mystical" or "spiritual" type who denies all worldly affairs in search of the soul: he embodies the socially transformative role of sub-continental bhakti and sufism. He believed in the power of music to alter the intellectual and emotional state in order to be able to understand and appreciate life itself.
The texts of his songs engage in philosophical discourses of Bengal, continuing Tantric traditions of the Indian subcontinent, particularly Nepal, Bengal and the Gangetic plains. He appropriated various philosophical positions emanating from Hindu, Jainist, Buddhist and Islamic traditions, developing them into a coherent discourse without falling into eclecticism or syncretism. He explicitly identified himself with the Nadiya school, with Advaita Acharya, Nityananda and Chaitanya. He was greatly influenced by the social movement initiated by Chaitanya against differences of caste, creed and religion. His songs reject any absolute standard of right and wrong and show the triviality of any attempt to divide people whether materially or spiritually.
Works
Lalon composed numerous songs and poems, which describe his philosophy. It is estimated that Lalon composed about 2,000 - 10,000 songs, of which only about 800 songs are generally considered authentic. Lalon left no written copies of his songs, which were transmitted orally and only later transcribed by his followers. Also, most of his followers could not read or write either, so few of his songs are found in written form. Rabindranath Tagore published some of the Lalon song in the monthly Prabasi magazine of Kolkata.
Among his most popular songs are
· Shob Loke Koy Lalon Ki Jat Shongshare,
· Khachar Bhitor Ochin Pakhi kyamne ashe jaay,
· Jat Gelo Jat Gelo Bole,
· Dekhna Mon Jhokmariay Duniyadari,
· Pare Loye Jao Amai,
· Milon Hobe Koto Dine,
· Ar Amare Marishne Ma,
· Tin Pagoler Holo Mela, etc.
The songs of Lalon aim at an indescribable reality beyond realism. He was observant of social conditions and his songs spoke of day-to-day problems in simple yet moving language. His philosophy was expressed orally, as well as through songs and musical compositions using folk instruments that could be made from materials available at home; the ektara (one-string musical instrument) and the duggi (drum).
Songs of Lalon were mainly confined to the baul sects. After the Independence of Bangladesh, they reached the urban people through established singers. Many of them started using instruments other than the ektara and baya. Some started using classical bases for a polished presentation to appeal to the senses of the urban masses.
According to Farida Parveen, a renowned Lalon singer, the pronunciation of the words were also refined in order to make their meanings clearer, whereas the bauls' pronunciations are likely to have local influence

into the cage and out again,
Could I but seize it,
I would put the fetters of my heart,
Film and literature
Lalon has been portrayed in literature, film, television drama, and in the theatre. The first biopic of Lalon titled Lalon Fakir (1973) was directed by Syed Hasan Imam. Prosenjit portrayed Lalan in the Moner Manush, a 2010 Bengali film based on the life and philosophy of Lalon. The film was an adaptation of Sunil Gangopadhyay's biographical novel of the same name. This film directed by Goutam Ghose, won award for the "best feature film on national integration" at the 58th Indian National Film Awards. It also won Best Film prize at the 41st International Film Festival of India held at Goa from 22 Nov to 02 Dec 2010.
In 2004, Tanvir Mokammel directed the film Lalon in which Raisul Islam Asad portrayed Lalon.
Allen Ginsberg wrote a poem in 1992 named "After Lalon", where he warned people against the dangers of fame and the attachments to the worldly things.
Dewan Hason Raja
Early life

The death of Raja's elder
step-brother, Ubeydur Raja, followed by the death of his father (in about 40
days gap), put the power and responsibility of the whole family upon Hason at a
very young age.
Later
life
Raja established schools and
religious centres like mosques, temples and churches, and he is said to have
been widely engaged in charities within his immediate communities. He donated
vast land properties for the well-being of the people. He was interested in the
well-being and protection of birds and animal life. He spent a large quantity
of his money on those lives. On 12 June 1897 one of the biggest earthquake
happened in the Assam and Sylhet area.
The largest known Indian interpolate earthquake at 8.8 Richter scale resulted
in the destruction of structures over much of the Plateau and surrounding
areas, and caused widespread liquefaction and flooding in the Brahmaputra and
Sylhet floodplains. He found out many of his kin and relatives as well as his
people wounded and killed. His thatched house was fully damaged. He lost many
of his tamed birds and animals.
Death
Raja died on 7 December 1922.Two
museums were established in his name in two places. One, Hason Raja
Museum sponsored by "Hason Raja Museum Trust" at his
birthplace, Lokkonshri, Sunamganj, and another, Museum of
Rajas' at RajaKunjo, Sylhet, sponsored by "Educationist
Dewan Talibur Raja Trust".
Early life
Karim was born on February 15, 1916 in
Ujan Dhol village, Derai Thana,
in Sunamganj District in Sylhet
Division. Growing up in poverty and facing hardship, he started
expressing his thoughts and emotions musically from a very early age. Ektara, a
traditional single string instrument has been his constant companion. However,
poverty forced him to seek work in agricultural labour. As he was growing up,
he received training on spiritual and Baul music from Shah Ibrahim Mastan
Baksh. Mastan was from Sreepur Peer Mohol.
Personal life
Shah Abdul Karim
Early life
Shah
Abdul Karim (February
15, 1916 – September 12, 2009) was a Baul musician from Bangladesh. He was
awarded the 2001 Ekushey Padak for
his outstanding musical achievements. He also received the Drouhee
Kotha-Shahitayk Abdur Rouf Choudhury Award in
2000. He died in Sylhet on
12 September 2009 due to respiratory problems.

Shah Abdul Karim he had a son named Shah
Nur Jalal.
Works
Karim wrote and composed over 1500 songs. These songs are organized in six
books: Aftab Sangeet, Gano Sangeet, Kalnir Dheu, Dholmela, Bhatir Chithi and Kalnir Kooley.
The Bangla
Academy has translated
ten of his songs into the English language.
Noteable Songs
·
Jil Mil Jil Mil Kore
·
Bonde Maya Lagaise
·
Ashi Bole Gelo Bondhu
·
Kano Piritee Barailarey Bondhu
·
Gari Cholena Cholena
·
Ami Koolhara Kolonkini
·
Agey Ki Shundor Din Kataitham
·
Ami Tomar Koler Gari
·
Shokhi Kunjo Shajao
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